Pi - The Text

Intro

Part I - Between binary oppositions

Part II - The trauma – Seeing the Unseen

Part III - Tools for understanding Pi: Fuzzy Deconstruction

Part IV - Beyond Pi

Part V - 12:46 Restate my assumptions – The Pi Theorem

Part VI - 11:15 “Proving” the Pi Theorem

Part VII - Alternative Reviews Collage


Intro

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Pi (see http://www.pithemovie.com) is not, as most critics claim, a schizophrenic science-fiction thriller.

We refuse to fall into the naive pseudo-psychological interoperation but it’s is a very important movie to be with us, while we rush to the next millenium.

We also attempt to say meaningful things about the movie without categorizing it as other do, in the science-fiction genre, to be more precise, we actually categorize it for the sake of decategorization.

As Sol tells us in the movie itself, we filter everything through our obsessions and concepts. In this text, we filter Pi with some of the concepts found in postmodern and fuzzy logic theories, and then we attempt to go further…

The story of Pi can be told through deconstruction of its content into binary oppositions, and by defusing these oppositions using a critical tool we suggest in the text - fuzzy deconstruction.

We claim that it is possible to continue where deconstruction stops in silence. We use 'Pi'  to demonstrate this. This will hopefully allow you to watch (or re-watch) it from a slightly different perspective…


Part I - Moving between binary oppositions

The Movie is not in Black and White, Its in Black or White"

writer-director Darren Aronofsky, treatment radio interview, 7/31/98

Max can’t remain on borderlines for long, The borderline between religion and science, numerology and mathematics, and between all the other binary opposites that construct the movie, since in his aspiration to true knowledge and patterns he crosses them in a process of self-mutilation.

Self mutilation is his way to re-connect to the great image of the sun – the source of the other knowledge, the absolute priori synthetic knowledge that is different than worldly posteriori-synthetic knowledge. The place where knowledge is at and the location where anxieties disintegrate. Max’s sisyphean world revolves around itself, even through it seems to him that he almost understands, that he’s close, that he’s almost there… He always returns to the same original location that leads to his madness. This a system that does not lead to anywhere, does no point us to any meaning. In the first scene, Max’s knows the numerical answer to any arbitrary algebraic operation, but in the last scene, after he drilled into his brain, He seems to loose this capability, we find him sitting in the park, staring at the sun light trough tree leaves…

Max as Bataille and Derrida does not re-establishes our world but reports and exposes the combinations and layout of opposite binary oppositions and relations between them. The process of exposing these concepts does not construct structures of meaning but brings to fuzziness of borders…

Max is equipped with the tools of modern science – mathematical theory, knowledge of the history of classic western theories, books, symbolic argumentative logic, scientific method of experimentation and documentation, a Microscope, Professional Academic education and titles, mainframe computer hardware and ability to write numerical analysis software. This is exactly the reasons he fails in his quest for knowledge, since as Einstein said: “So far as the laws of mathematics refer to reality, they are not certain. And so far as they are certain, they do not refer to reality”. This is better understood when we understand that the laws of modern mathematics are based on set theory and symbolic logic...

Nature is gray scaled, Life can’t be reduced to deterministic numerical pattern and true knowledge is available only at death. Max search can be seen as the saga of the 20th century that is doomed to fail since it uses the wrong tools. Other tools are available, they mustn’t necessarily be non-scientific, other logic systems, set of axioms and interpretive methods are possible. The story of movie Pi unfolds when we reveal the underlying binary oppositions that are woven through it...

The battleground, The happening scene, The Lab, is Max’s one-bedroom Chinatown apartment. There, in the dark room, Max and his mainframe become subjects of research and observation. In one of the scenes we see Max, wearing gloves, being a surgeon. He approaches his skinless computer and tries to locate and fix the cause of the (Mechanical?) hardware malfunction that caused his Euclid to crash. What is interesting is that the scene was shoot from the point of view of the computer system, from behind it’s main Chip, as if the Machine is observing Max. Max also pauses every time before he’s about to press “ENTER”. He understands that every time he’s doing this, he is escaping his body, sexuality and humanity. He understands that each and every time his hand answers his will (an event that is not taken for granted in the movie since at times he is unable to control his right hand pre-attack spasms) he is approaching the machine and his own death. But the temptation is so great and “the hand that is there: in the gap between the computer and the body, belongs know both to the computer and to the body, a slave of two masters”.


Part II - The trauma – Seeing the Unseen

“When I was six years old, my mother told me not to stare at the sun, so one day when I was six I did. I was terrified, alone in the darkness. Gradually, I could see again through the bandages. Something else changes inside of me. The day of my first headache…”

Max Cohen, Pi The Movie

 

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Leonardo Da Vinci, Vitruvian Man

Andre Masson, Acéphale

We can see that Max experiences his life from a point of view of this trauma, or more precisely, from the point of view of death. The movie Pi itself is told from the point of view of Max's truama and death.

The trauma he experiences in the age of six, dictates most of his actions and desires.

This event which created max as a subject, already folded within itself the event which in the story’s end destroys this subjectivity. When max faces the opportunity to meet again face-to-face the sun, in its other form (Pi, the golden spiral, the truth, the meaning), when he looks at the Trauma from the inside, he experiences the disintegration of the subject, the death of the subject. The sun is placed in the center of the binary opposition between object and subject. Max network of concepts leads him to experience death as a desirable location, as the location where truth is. Max, as a subject, is a victim in a system that can’t contain him. In the movie, as in the Batailleian system, the victim is not metaphoric and death is real. What did Max search in the sun? What made him sacrifice himself to it? What did he see there?

The sun functions as the most abstract of objects, since one can’t fix his/her gaze on it, Madness is implied when someone insist on doing so, and the concept of looking at the sun changes its meaning, since it is no longer a product of something seen a light but leftovers, burnout. In the last scene we find Max staring at the sun through the protective mask of tree leaves.

“The sun, from the human point of view (in other words, as it is confused with the notion of moon) is the most elevated conception. It is also the most abstract object, since it is impossible to look at it fixedly at the time of day. If we describe the notion of the sun in the mind of one whose weak eyes compel him to emasculate it, that sun must be said to have the poetic meaning of mathematical serenity and spiritual elevation.”

Georges Bataille – Rotten Sun

 

Staring at the sun means going crazy, going blind, or as Bataille expressed – “Self mutilation”. Bataille emphasizes the presence of the body and its organs. He describes hallucinogenic experiences (such as Max’s migraines, day dreams and visions ) as happening directly through the body itself, without delegation or metaphor. Max wants to rejoin reality through his body, he wants to enter into his body, to penetrate his mind folds. There he hopes to find the answers and the source of his pain. He is doing this both figuratively and physically by starting at his extra-bodily brain and probing it with his mathematician pencil, by marking a black square around the location of the origin of his pain in his own brain, and finally by penetrating his skull with his computer hardware work tool – an electric driller...

“If on the other hand one obstinately focuses on it, a certain madness is implied, and the notion changes meaning because it is no longer production that appears in light, but refuse or combustion, adequately expressed by the horror emanating from a brilliant arc lamp. In practice the scrutinized sun can be identified with a mental ejaculation, foam on the lips, and an epileptic crisis”

Georges Bataille – Rotten Sun

Max has frequent epileptic feats and suffers from major migraines, His nose bleeds and his hands shake. He is also on painkillers, amphetamines and drugs throughout most the movie. But he also experiences moments of pure intellectual concentration, minute perceptions and peace of mind.

He is also a Surgeon who performs brain surgery operations on two patients – His mainframe motherboards and CPU, and his own brain – He tries to locate/map the point of his migraines pains in his head. He daydreams in the subway about poking a human brain with a pen – his mathematician cryosurgical tool. He also messes with his brain with his electric driller…

Part of the code Max finds cause the stock market to crash. It also causes Sol's stroke. Max migraines cause him to crash his head against objects to make the pain go away...

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Max in Auclid

Following is a list of Binary oppositions that are going to be explored as this project evolves:

Man / Machine

Numerology / Mathematics

Max is a professional trained mathematician who works with mathematical theories. He finds himself dealing with mystical symbolism. Sol, his intellectual godfather and mentor warns him that that he’s crossing the line when he looses scientific rigor.

Religion / Science

Max is a scientist who uses scientific tools such as number theory and computers. He cares little about established religion but as the movie continue we see that in his own unique and way, max becomes a very religion individual.

Metaphysics of presence / surface topology

Rabbi Cohen: “You have seen nothing, it was just a glimpse, there is much more…”,

Max Cohen: “No, I have seen it all…”

Free-will/determinism

Genius / Madness

Max is obviously moving between both. Max, a brilliant number theorist. Published at the age of 16; Ph.D. At the age of 20; sought after by NYC market forecast companies.

Sol : “This is insanity Max,”, “well maybe it’s genius…”, Max answers.

Professor/Student

Old/Young

Mentor/Apprentice

Dry-Ware / Wet-Ware

Max using computers to model his theory but he also reaches for the final frontier – The human brain. He tries to locate/map the exact location of his migraines and day dream in the subway about poking a human brain with his pen.

Theory / Practice; Math/Physics

Intellectual integrity / Material Wealth

Inside / Outside

Max also studies and observes the other in the outside from the inside of his apartment/scientific laboratory through his piping hole. For Sartre in Being and Nothingness, this is a prototypical existential mode of being….

Apartment / Street

Host / Hostage

Prescription Drugs / Recreational drugs

Pharmakon = Poison + Medicine

Monotheism / Techno-shamanism

The Mental / The Physical

Rational method / Sensory method

Smell the web....

Binary logic/ fuzzy logic

InnterCityLife/Nature

 


Part III - Tools for understanding Pi: Fuzzy Deconstruction

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We are reaching a point in History where history itself is in danger of collapsing as a concept. It is being replaced by Celebrities, Icons, sponsored news items and media real-time duration.

If you aware of the philosophical tradition of the western culture, from the pre-socratic to the postmodernists and to the digital revolution and culture that’s around us as we reach the Y2K landmark, than we hope you may find the text below mind provoking and challenging. It is also useful to know something about binary and fuzzy logic theory and about the writings of Derrida before proceeding…


Derrida suggested deconstruction as an interpretive approach to textual systems (i.e. texts, language, art, you name it.. ). In deconstruction, we first attempt to expose the binary opposition that are woven in the text. This opposition creates hierarchies or trees of meaning, roots of understanding and so called ‘truths’.

This exposition helps us to see that in any major western text, one opposition is marginalize, i.e. it’s bad, illogical, black, “0”, unnecessary, out of style… and one opposition is white, logical, “1”, central, moral, valuable…

Than we can show that paradoxically, the marginalized concept is actually inseparable and necessary for the text structure to hold. We subvert the text and read it as if the poison is the remedy.

The process result is that the two opposite can now engage in a dynamic free play of nonhierarchical meaning.

This method is important since it allows us to keep multiversity but does not lead to much more, since what we find – the Pharmakon, the Joker, the Difference is a pure possibility of play and of meaning. It has no essence, it’s a void inside any system that escapes definition. So it seem we can’t say much more about it. But we claim that we can say more about it. We suggest a meaning for the difference – the poison and the remedy. We claim that it’s possible to continue from the point where Derrida brought us to, and left us standing at…

Lofti Zeda and Bart Kosko, two mathematicians and computer scientists helped develop the theory of Fuzzy Logic. See….

The above should be mandatory reading for the 21st century free thinker and theorist.

But they both fail to see that what they engage in deconstructing western science and formal logic. When Bart Kosko starts writing about metaphysics of presence, morality and psychology, the educated reader feels that something went wrong. The reader may be surprised to discover, in this otherwise brilliant work the bart is just a plain natural determinist and an evolutionist. There must be more to fuzzy logic than that…


We suggest Deridda’s deconstruction as a tool and justification for the fuzzy logic main argument and fuzzy logic theory as a tool and as justification for deconstruction. We claim Fuzzy theory and deconstruction are both part of Fuzzy Deconstruction. They are complementary theories that can be synthesized to a more useful and coherent theory. To see this you’ll have to be familiar with both Deconstruction and Fuzzy Theory. This text assumes you are. Come back when you are ready.

Both theories starts from the notion that In its essence, western culture since Greece is based on axiomatic logic. We tend to define concrete terms, we categorize phenomena to concepts and ideals. We write these concepts down and speak them. Since Aristotle most agree that either A or Not-A, that A and not A can’t be, that B must belong to A on belong to not A. Religion, morality and metaphysics emphasizes the one and marginalize the other. It seems that the binary mode of thinking is essential to thinking but deconstruction and fuzzy logic shows us this is not the case. One thing is common to rational philosophers, religion scholastics, twentieth century scientists and positivists – Aristotelian logic and truth statements. Derrida already showed us that this claim to truth is a form of metaphysics of presence, a search for a root for our otherwise chaotic existence, but fuzzy logic shows us an alternative approach that is both scientific and practical. It takes two man of extraordinary intellectual integrity, moral courage and plain old nerves to shout aloud the alternative to the world we live in and therefore are of. We are fortunate that some are able to escape for short while for the global veil of ignorance and peak at the world from an original and fresh perspective. It’s a pity but natural that other schools of thought, both in science and in ‘the humanities’, both inside academia and outside it, dismiss these two concepts as non-scientific, non-philosophic and invalid.

We need to see through the politics of Academia to see the real importance of the notions of fuzziness and deconstruction, it may happen on a grand level well into the 21st century.


To break the binary opposites that form our world-view, deconstruction shows the reversal is possible and valid. Fuzzy logic theory also speaks about the opposites but it does not attempt to reverse them since it shows that universes that we can and must speak about, exist between them. So the notion of the deconstruction reversal is helpful in opening our minds to the possibility of degrees. Fuzzy logic theory is in its essence quite simple. It is established on the principle of incompatibility. Its main argument, is that all matter of facts are a matter of degree (since Hume) and western logic is black and white, therefore western logic is incompatible with reality.

Reality: 0<= t(a) <= 1, where t(a) is the truth value of claim a.

Logic: t(a) = 0 or t(a) = 1, since Either t(a) or not t(a).

Bart Kosko does a good job in explaining why 20th century scientists don’t recognize or believe the above notion. Fuzzy logic can use deconstructive theory to show that these polarities are arbitrary.

Most people believe or are thought in schools and universities that logic is a tool in proofing truth claims of arguments. Isn’t it?

But they may be shocked if someone thought them that actually, for the most of the 20th century, you can proof any claim, be it a matter of fact or a logic, morality or metaphysic.

Modern Set Theory – Cantor and Russell.…

 

In fuzzy logic

1. A and not A can be both hold together.

2. Truth-Value assignment or any definition, conceptualization and determination is a matter of degree. A concept is a fuzzy set.

3. There are no binary opposites in nature but truth value assignment is possible, there is no probability or randomness in nature, just in the human psyche.

Problem: Determinism.

 

In deconstruction

1. A and not-A are binary opposites that identifiable momentum in any text/system, where A (1) marginalized not-a (0)

2. We can show that Not-A can be (1) and A can be (0).

3. Once we show this we turn the text/reality to a dynamic play, or dance of meaning.

Problem: Dead End, lost of essence, desperation, reactionzm…

 

In fuzzy deconstruction

1. A and not-A are binary opposites that identifiable momentum in any text, where A (1) marginalized not-a (0)

We can show that Not-A can be (1) and A can be (0)

2. Fuzzy logic shows how A and Not A can hold together in theory and in practice. And that we can apply truth values in degrees.

Reonstructive solution to the deconstruction dead-end:

3. A and Not A are not binary oppositions but has fuzzy values i.e. between 0 and 1 inclusive. This opens the text/reality for interpretations that are more precise, less dogmatic and more meaningful.

Reconstructive solution to the fuzzy theory dead-end:

4. Determiniszm is a fuzzy concept: in the middle stands the human being – 0.5 deterministic; 0.5 – free will.


Language, Textually and Hierarchies

We know for some time know, that Contrary to common thought there is no one root, essence or meaning to things both around and inside us. The world of ideal is fictitious, words and concepts try to categorize things around us into group. But there is no higher source of knowledge, All we have are words around us that are differentiated only from other words or concepts. In this surface or textually we can imagine an infinite number of signifier and signified pairs that are only different from each other. There is no root to form either signified or signifier since it’s just another concept.

On the other hand, fuzzy logic theory shows us that both the signified and the signifier are fuzzy concepts. Any category is a fuzzy set so that everything and nothing belongs to, to some degree. The pairs themselves can be viewed as fuzzy sets too.

The post-modern view of difference lacks one important detail that can be borrowed from fuzzy theory, and fuzzy theory can use this view to establish it’s arguments: Fuzziness allows the difference to escape it’s totalitarian role as dichotomy, but more important, it allows us to escape rigid categorization when speaking about the difference while not escalating into mumbling of gibberish. Fuzzy logic shows us how A and not-A can be together both in nature and in concept. The difference is now seen in a new light, and can be well defined:

Difference = 0.5 difference and 0.5 similarity. 0.5 heterogeneous and 0.5 homogenous. This was the aim of Derrida when he wrote: Difference.

This now may be established based on a logical and mathematical foundation without losing any meaning.

It’s the principle of fuzziness itself. On the other hand, fuzzy theory can stop it’s bad habit in using mystical terms when speaking about the “black hole” in the middle of the fuzzy hyper-cube.

Bart Kosko’s Buddha is no longer necessary since we can use a concept that is more constructive and less intrusive to western dogmatic scientist and western philosophers. So we see how beneficial it is for the discourse of both disciplines to converge on common agreement but without presuming any metaphysical base.


Part IV: Beyond Pi

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Pi as the irrational number constant that separates math from physics or any of the above binary opposition from reconciling. We, the Greek, know the Circle. We know its radius and want to calculate it’s diameter – but we run into irrational numbers. Today we know how to use them but we still have to arbitrarily cut them to compute anything with them on a computer, as in the movie at 216 digits after zero is a necessity with computation. It’s the black whole the Greek had in their geometry. They new triangles and rectangles but root of 2 confused them. The point is that we can’t reach precision when applying math to worldly calculations. What buffles me is the movie didn’t go into complex numbers.


Pi stands as the unbridgeable gap between the purity of the mathematical perfect circle and all physical circles. To know Pi in 100% precision (Which math proved is impossible since there is always a next number to the fraction), is impossible since it will bridge math and reality. But this is impossible since reality is not pure, not black and white but in shades of gray. Everything in reality is a matter of degree…

Also Fibonachy numbers are a simple sum series that introduce a irrational number (root of 5) into the computation of the series, but the next fib number is always integral…


But all of the above oppositions can be reduced to a dialectics of binary logic (Math) Vs. and fuzzy logic (matters of degree, reality) where pi is the Phramacon, the Joker that laughs at the face of science, philosophy and language. The contradiction that is at the heart of the seemingly stable structure of western science. Pi is the Joker that sits in the heart of the above structure. It’s dialectics supports it, debabelize it and destroys it.


Pi The movie is a black and white piece about the inevitable crash of an electrical drill into the mathematician brain, at the end of a doomed process of applying black and white mathematical thinking (i.e. logic, cantor’s set theory and numbers) upon gray-scaled reality. The movie brings this elements into play. In one scene, our logician is drifted, as any Greek who just died, in Styx: the NYC subway tunnel system, in a boat: The subway, to nature – i.e. the last stop – Coney Island. He is awaken by Charon who comforts him with a handkerchief to wipe his bleeding nose. He reaches the ocean and drifts away in his thoughts, observes the waves, trying to form them into a pattern, as they crush on the rocks. Suddenly, he is interrupted by mechanical beeps omitted from a passerby’s metal detector. The beeps are becoming more frequent, as the man nears to a triangular object. He picks it up, stares at it, laughs and drops the object. Our mathematician is intrigued, he walks to the object and observes it’s a sea shell.. He picks it up and observes it carefully as he turns it with both his hands – He observes the spiral pattern, the same pattern he tries to impose on nature throughout the movie… One scene later he picks up a piece of computer board he crushed into the floor in a moment of crisis. He treats the board as the shell… This is the focal point of the story, it has double meaning. The computer board contains chips, units of integrated circuits that operates with Binary Logic (i.e. 0’s and 1’s). The shell symbolize nature, it was created in a natural process and shows a pattern that our Archimedes tries to break into code. This is the essence of the story right here – Break nature code with binary computation. As we’ll later show, and as we see in the movie – this will end in an inevitable crash. Nature simple does not obey the law of Aristotelian logic. Attempt to reduce nature, life, you name it to a code, a mathematical formula, is doomed to fail. Science must admit this before any significant achievement in AI can happen. Max sees the simplicity of the circle and tries to reduce chaos back to it, but the circle is not simple in the first place, it is fuzzy…


Technology as Temptation

Seduced by the chip, His own crashed, but computer humming sounds melds with behind the wall neighbor love-making noises.


The Scientist NoteBook

Subjective science – Laboratory Journal: Time, observation, result. 24 hour time base – like the stock market he is following. No days or dates. It is worthwhile to notice that Max uses the same journal and entry types for entries about his research into patterns in the stock market, using Euclid as a modeling tool and for entries that record his own migraine attacks, the drugs he administrates on himself and his forecast for the next attack. Here, the dialectics of poison and medicine, doctor and patient, professor and student becomes visible: the scientist ( the culture physician and healer) is also the object of scientific observation (as a sick test subjects who needs healing). He also documents summarizes of sources of inspiration from the classical scientific tradition.


Meca Chip + Auclid Mainframe + Bible on software = Crash

Moment of enlightenment – The meaning is between the numbers. Max, knows very well that the cabalistic mystics could have used any 386 grade PC to produce all possible 216 digit numbers and translate them to the Hebrew alphabet. He has the number in him. it is his not theirs. The number is the Phrmacos. The market research company and the orthodox Jews look for the 216 digits number because they look for a formula, an answer that may be spoken – to the Jewish god by the high priest or to a number crunching stock exchange prediction algorithms. But the ‘cut’ to 216 digits is arbitrary and essentially inaccurate. Formulas must be finite for us to formulate them, but pi is infinite. But as Max sees in a moment of enlightenment, the meaning is in the semantics, between the formula’s syntax. Max perceives himself in this moment as a chosen subject. Here, his personal salvation and knowledge is manifested in an esthetical mode of being. Again, It is poised as the fuzzy middle of two oppositions: The Hasidic Jews are the religion establishment who claims ownership on the concept of purity and morality, they seek the code for reconnecting with their one god – technology for metaphysics of presence. The market research company embodies instrumental science since it seeks Max’s scientific discovery to control the stock exchange market for reasons of profit and materialistic gain. Both opposites claim ownership of the ultimate code or natural and supernatural phenomena.

The problem with both binary and fuzzy logic is that they both presume we have in our minds-eye the perfect circle. The perfect example that we compare instances in nature too. I doubt it.

Max Cohen is a modern ‘Cohen’ i.e. Priest. A priest of modern math on quest to find the code to everything. The numbers between the seemingly randomness of natural phenomenon.

But max fails when he reaches the wet-ware, both literally and figuratively, since he can’t notice the fuzziness of reality.


Part V - 12:46 Restate my assumptions – The Pi Theorem

“I’ve got the poison… I’ve got the remedy…”

Prodigy, Poison, music for the jilted generation.

The movie is really all about max's theorem, it's the theorem max attempts to prove throughtout the movie. It is in the heart of the plot. The theorem can be demonstrated in the following formal argument:

"12:45 Restate my Assumptions:

Assumption 1

Mathematics is the language of nature.

Assumption 2

Everything around us can be represented and understood through numbers.

Assumption 3

If you graph these numbers, patterns emerge.

Conclusion.

Therefore: There are patterns everywhere in nature."

Below we discuss it, expose it and restate it's assumptions and conclusions. After we have done this we'll show how you can prove it and why the proof is meaningless.

12:45 Restate my Assumptions:

Assumption 1. Mathematics is the language of nature.

    [language is a complex system].

    [ lofti Zeda theorem of complexity].

    This is really Galilo, Pitagoras and Spinoza speaking here – Nature is written in mathematical letters.

    This assumption is dead wrong If we read Mathematics as symbolic logic/exact measures, since in everything in nature is a matter of degree.

    You can accept the assumption if you follow 17th century rationalism, but already Hume put an end to this Cartesian hubris, and as we see below, it can’t lead us to any conclusion.

    Fuzzy logic theory shows us that this is the underlying principle of western science and thought since Aristotle, and that this principle not holds if we mean by it that nature follows the rule of symbolic logic. But in some sense, Fuzzy logic theory does claim that above assumption is essentially right - Everything in nature appear in degrees but these degrees are fixed, apprehensible and numerical. It suggest we’ll read mathematics in the assumption above as fuzzy logic – mathematics of degree. By fuzzy logic, numbers are fuzzy too and subject to degrees. But Black and White, fuzzy theory states that there is no randomness in nature and it leads to determinism.

    But determinism is wrong and can’t help to hold the assumption.

    We see here the focal point of western philosophy and science embodied in one sentence, there is no need for max to commit suicide over it.

    What is language -> deconstruction… signifier/signified..

    As George Bataille shows us, both nature and language are dialectical and satirical. Everything we observe is a parody of something else, and sometimes, it can be the same thing, in it’s disappointing form. So, we can say that mathematics is the disappointing form of nature.

    This assumption must be restated since it’s false.

    Restate essumption 1

    There is no determinism, even fuzzy logic theory got this wrong. Nature is language. Nature has many and no other languages.

    [nature and language…]


Assumption 2. Everything around us can be represented and understood through numbers.

    This is false if we mean an exact representation and if we interpret understanding as categorizing matters of fact in concrete set of mental concepts. Write why…

    WRITE ABOUT THE PROBLEM OF REPRESENTATION AND UNDERSTANDING…

    Restate assumption 2

    Everything can be approximated and understood by free human beings through degrees. Only human beings can use their freedom to approximate and understand everything around us to a degree. This is subjective and not an objective representation and understanding.


Assumption 3. if you graph these numbers, patterns emerge.

[multimedia: track 12 start – also write about appearances and hidden phenomena] – The patterns seems to hide BEHIND the numbers…

By patterns, max must mean a recurring regularity in the seemingly chaotic natural phenomena. He assumes these patterns exist and he presupposes determinism. Which is dead wrong.

The pattern is the map western minds try to draw on reality.

This map is inherently inaccurate, it contains gaps and TAZs (Temporary Autonomous Zones) that exist in the folding of the gray matter and of the map on so called reality. The patterns can also be fractal in nature. This fractality prevents us from having a 1 on 1 match with reality. In the movie, the spiral is suggested as The pattern in math and in nature but as any math graduate student knows, the spiral function does not converge at 0.

We claim the Spiral function is fuzzy around zero – It’s value is fuzzy 0 around the absolute Cartesian origin (0,0). As we attempt to increase our precision, our accuracy of predicting phenomena that follows this pattern, we remain fuzzy – We can not guess the (x,y) value. This follows Zedas’ principle of complex systems – As complexity increases, fuzziness increases. Nature is The complex system.

The spiral function is misrepresented in the movie since it is shown in 2D and we tend to imagine it’s conversion in our minds eye. But it’s better represented in 3D where one can imagine it as a black hole, a void that swirls to infinity around zero as we focus in on it. Infinite meanings and values reside on this map in any given scale. The spiral function is a fractal since it has no dimensions although it repeats a fixed pattern – It is a Pattern of fuzziness. But as Hakim Bay showed us, whole universes can hide in it’s folding… The assumption also states that YOU graph these numbers. It is worthwhile to notice that this suggested graphing process is always subjective and personal.

The assumption is false since we denied assumption 1 and 2.


12:96 Restate Assumption 3

If you draw these numbers, subjective fuzzy patterns emerge.

This holds since numbers are fuzzy. Fuzzy pattern is a fuzzy set. Each fuzzy set contains everything (and nothing) to a degree.

The representation is arbitrary, subjective, born in an act of free will. We can say a lot of things about reality that are meaningful without excluding other mappings or possible patterns that exits in the spiral too… So we rediscover Kafak’s pattern here – Reality is an infinite possibility. No one possibility is inherently prior. Therefore the world is mazelike with no clear paths. This leads to the stasis that the movie’s anti-hero is going through…


4. Conclusion. Therefore: There are patterns everywhere in nature.

The conclusion real meaning is that we can predict with accuracy the course of events and processes that occur in time (such as stock values, the date the gates of heavens will open, etc…).

This is false since assumptions 1,2 and 3 are false, it’s possible that there are patterns everywhere in nature and we can’t graph them.

The conclusion is also just a restatement of a naive deterministic principle, what a disappointment.

Determinism as a principle explodes and opens to an array of possibilities when we apply fuzzy logic to it, or when we agree that nature is fuzzy. It is 50% correct and 50% wrong. It is really “the difference”. Fuzzy theorists failed to see this since they did not completely detached themselves from the western mind-frame some of them expressed wish to part with. They also may not be aware of some post-modern theories that can support fuzzy theory.

In reality, Stock Exchanges crash and history is full of accidents. This is not an imagined effect in our perception, History is an accidental crash of forces. Accidents always disturb and transcend the spiral pattern since they are always born at the gap between an event occurrence and it’s mapping. Accidents are the extra stuff between nature and patterns and no life can exist without it. We can not predict real accidents since they are always different from the event. As far as we know, the previous global accident – the so-called big bang is the one the created time and locations. Accidents creates voids of uncertainty in reality, in there the randomness fuzzy logic tried to find in nature and couldn’t hides.

In the movie max gathers Evidence for assumption 4 – he states the banal cases of order and patterns in chaotic systems such as water waves, ant population, germ colonies, sea-shells structure and milk and smoke whirlpools. But this attempt is doomed due to the aging principle of induction. This evidence can never prove the assumption. Max start to act as a physicist and forget his mathematical training….

Restate the Conclusion

There are patterns everywhere in nature

This is absolutely true but these patterns are not deterministic or mutual exclusive for other patterns. We can draw a fuzzy map of them for a culture, language, science, but we do it all the time anyway, we just need to remember that we and our maps our subject to accidents.


Part VI - 11:45 “Proving” the Pi Theorem

icarus4.jpg (7609 bytes)

Fallen Ikurus

But all of the assumptions and the arguments above really don’t matter since you can prove anything using symbolic logic. We can prove that there are patterns everywhere in nature, that there are no patterns in nature, you name it… All that is left to do is to wander why symbolic logic is still taught in schools and university as an argumentation tool. Both 20th Century logic, math and computer science uses Cantor Set theory. The problem is that Betrand Russel discovered in 1901 that a contradiction lies in the heart of Set Theory and therefore also in formal logic. This was not suppose to happen and it seems that mathematians and scientists in general attempt to ignore the contradiction and continue with their buisness as useuall... The contradiction is taught in engineering schools logic classes as an interesting Paradox that can be somehow explained, it must be explained! The contrudiction also provide the unseen motive between the 20th century rather academic attempt to formulate alternative symbolic logic that can evade it.

To bring this web project to an end, lets proove Max's theorem in three easy steps:

Claim A: The set of all sets that do not contain themselves, contains itself.

Claim B: The set of all sets that do does not contain themselves, does not contain itself.

Claim C: The Pi Theorem conclusion.

Claim D: A or C.

1. A is true (Russell's paradox) so for any C and D, D is true. (Easily proven).

2. B is true (Russell's paradox) and A = not B by definition, therefore A is false.

3. Since D is true (argument 1) and A is false (argument 2), C must be true (proof by contradiction).


Part VII: Alternative Reviews Collage

>Did the number in PI have any real significance?

Nothing in that movie had any real significance, IMO.

From the sci.math usenet newsgroup

Pi is the name of a mathematical term used primarily in determining the area or circumference of a circle. As well as I can remember from my high school Math class, Pi = 3.1416__and on and on.
In the movie, Pi, Max Cohen spends much of his life carefully locked in his small apartment, surrounded by computers and other electronic gadgets.
He is trying to find some unknown mathematical equation. Coming into his life is a former teacher, and a group of Hebrew men on a religious search for a missing 216 digit "word". The film is in black and white, and it jumps from scene to scene with no
rhyme or reason. At one point I felt that I was watching "Hitchhiker's Guide to the Galaxy" without the humor! I couldn't tell if Max ever solved his mathematical problem, but I know that I didn't figure anything out. It's still a big puzzle.
No, I don't ever want to see this again, not even on late night television. The very best I can give it is a D.From the sci.math usenet newsgroup

From usenet

If you're looking for a cool CD to play while running Q2, get the
soundtrack to the movie "Pi". It's all electronic music (Massive Attack, Orbital, Aphex twin, etc.), and it creates a completely freaky gaming mood! It segues with the action perfectly.

From the alt.games.quake2 usenet newsgroup

For what it's worth, the star (a crazy mathematician) seemed to be a territory player, while his mentor (a retired, and not crazy mathematician) seemed to be an influence player. I couldn't tell if the game was a famous one or not. There was one discussion over the empty go board where they were talking about how the empty go board looks simple and orderly, and becomes more complex as the game evolves, but in reality
the board becomes simpler and more defined as the game progresses, so the
most complex position is the empty go board.
An enjoyable and short (90 min) film. (but not for kids- has dreamlike but intense violent situations!)

From the alt.games.go usenet newsgroup

Find a string of digits of length 216 within the decimal expansion
of pi.

It begins with 914 and ends with 501.

Is it one of these?

a:
94161619017643525664819067182789754429162661556127

13722485927535210981868390456167920522126787523859
27794873844468582550741146971791870484885578169503 76743911366344648034269533974040916687136096393287
7974105245112501

b:
94176997430787646993222129969739805362113910940251
93837223476289021279570331750053699672273403799036
40887945559797302922005879268103227150705112810254
17877787777273488125836888155364003843374190950829
1190380723342501

c:
94140089074591104456346296529850355671756571900209
43926813819146521351312817427206963585683962695866
23207852416114399287667540487547558996451415592419
04882676510513889741528640798751741541859064420878
7776757612240501

d:
94136147676936733884436870441879305256490948659358
86946770608305485734391459003516936490748680886833
62555329744167281580279704591704810174247147235394
89687125568476570176969091623091613247055021217770
3246923263293501

e:
94191991172863357242958310290772102543928414456625
35879037739898057183115710438401233328422478665654
75929236889383749105093889185896857803725737913841
12943366445315903241361146360792794528042705433831
3909751840663501

f:
94132833269471712804482650479763573745191742432641
19251481543534065582643195695347172000573670027161
22019838626238944104288968700693827506704596448813
60416986175665202854073428867439493793408752004523
4972939749067501

g:
94111357053500024181312761030361807019841049887563
44875283771782627353326017101566108663573320926328
01561115894763599675360502353528590259959091556179
88264295746374143668368267723185007270739539270463
5251715464046501

h:
94185577362312986526226231207658616597764788696752
66447486084737894296633113604687912266267529310253
19350731747938840454607376576879697789122672400603
01529091921243435246732515361845266812696284668366
4246599510255501

These are the only ones in the first 50 million decimals of pi, as found in ftp://gryphon.ccs.brandeis.edu/pub/pi

From the sci.math usenet newsgroup